Height of John Carradine
The height of John Carradine is …m.
1. Where did John Carradine come from ?
Carradine was married four times, had five children, and was the patriarch of the Carradine family, including four of his sons and four of his grandchildren who are or were also actors.
2. What could we know about John Carradine besides his height ?
Carradine was born in New York City, the son of William Reed Carradine, a correspondent for the Associated Press, and his wife, Dr. Genevieve Winnifred Richmond, a surgeon. William Carradine was the son of evangelical author, Beverly Carradine. The family lived in Peekskill and Kingston, New York. William Carradine died from tuberculosis when his son John was two years old. Carradine’s mother then married “a Philadelphia paper manufacturer named Peck, who thought the way to bring up someone else’s boy was to beat him every day just on general principle.” Carradine attended the Christ Church School in Kingston and the Episcopal Academy in Merion Station, Pennsylvania, where he developed his diction and his memory skills from portions of the Episcopal Book of Common Prayer as a punishment.
3. What are the projects of John Carradine ?
Carradine’s son David claimed his father ran away when he was 14 years old. He later returned, as he studied sculpture at Philadelphia’s Graphic Arts Institute. Carradine lived with his maternal uncle, Peter Richmond, in New York City for a while, working in the movie archives of the public library. David said that while still a teenager, his father went to Richmond, Virginia, to serve as an apprentice to Daniel Chester French, the sculptor who created the statue of Abraham Lincoln for the Lincoln Memorial in Washington, DC. He traveled for a time, supporting himself painting portraits. “If the sitter was satisfied, the price was $2.50,” he once said. “It cost him nothing if he thought it was a turkey. I made as high as $10 to $15 a day.” During this time, he was arrested for vagrancy. While in jail, Carradine was beaten, suffering a broken nose that did not set correctly. This contributed to “the look that would become world famous.”
4. Somme collaborations with John Carradine ?
David Carradine said, “My dad told me that he saw a production of Shakespeare’s The Merchant of Venice when he was 11 years old and decided right then what he wanted to do with his life”. He made his stage start in 1925 in New Orleans in a production of Camille and worked for a time in a New Orleans Shakespeare company. Carradine joined a tent repertory theater under the management of R. D. MaClean, who became his mentor. In 1927, he took a job escorting a shipment of bananas from Dallas, Texas, to Los Angeles, where he eventually picked up some theater work under the name of Peter Richmond, in homage to his uncle. He became friends with John Barrymore, and began working for Cecil B. DeMille as a set designer. Carradine, however, did not have the job long. “DeMille noticed the lack of Roman columns in my sketches,” Carradine said. “I lasted two weeks.” Once DeMille heard his baritone voice, however, he hired him to do voice-overs. Carradine said, “the great Cecil B. DeMille saw an apparition – me – pass him by, reciting the gravedigger’s lines from ‘Hamlet’, and he instructed me to report to him the following day.” He became a member of DeMille’s stock company and his voice was heard in several DeMille pictures, including The Sign of the Cross.
Carradine’s first movie credit was Tol’able David (1930), but he claimed to have done 70 pictures before getting billing. Carradine claimed to have tested, as an unknown – along with well-known leading men Conrad Veidt, William Courtenay, Paul Muni, and Ian Keith – for the title act in Dracula, but the historical record does not support the claim. The part eventually went to Bela Lugosi. Carradine would later play the Count in the 1940s Universal Studios Dracula sequels House of Frankenstein and House of Dracula. Carradine also claimed to have tested for the monster act in Frankenstein (1931), though again, no account exists other than his own that he actually did so. By 1933, he was being credited as John Peter Richmond, perhaps in honor of his friend, John Barrymore. He adopted the stage name “John Carradine” in 1935, and legally took the name as his own two years later. In 1935’s Bride of Frankenstein, Carradine had a brief uncredited walk on act as a hunter in the forest.
By 1936, Carradine had become a member of John Ford’s stock company and appeared in The Prisoner of Shark Island. In total, he made 11 pictures with Ford, including his first important act, as Preacher Casy in The Grapes of Wrath (1940), which acted Henry Fonda. Other Ford movies in which Carradine appeared include The Man Who Shot Liberty Valance (1962) and Stagecoach (1939), both with John Wayne.
He also portrayed the Biblical hero Aaron in DeMille’s The Ten Commandments (1956), and he dominated Hitler’s Madman (1943) as Reinhard Heydrich.
Carradine did considerable stage work, much of which provided his only opportunity to work in a classic drama context. He toured with his own Shakespearean company in the 1940s, playing Hamlet and Macbeth. His Broadway acts included Ferdinand in a 1946 production of John Webster’s The Duchess of Malfi, the Ragpicker in a 13-month run of Jean Giraudoux’s The Madwoman of Chaillot, Lycus in a 15-month run of A Funny Thing Happened on the Way to the Forum, and DeLacey in the expensive one-night flop Frankenstein in 1981. He also toured in road companies of such shows as Tobacco Road and Cat on a Hot Tin Roof, in which he was properly emaciated as the cancer-ridden Big Daddy, a part, he said, which Tennessee Williams wrote for him.
Carradine claimed to have appeared in more than 450 movies, but only 225 movies can be documented. His count is closer to fact if theatrical movies, made-for-TV movies, and television programs are included. He often played eccentric, insane, or diabolical characters, especially in the horror genre with which he had become identified as a “star” by the mid-1940s. He occasionally played a heroic act, as in The Grapes of Wrath, in which he played Casy, the ill-fated “preacher”, and he occasionally played a sympathetic act, as in Son of Fury: The Story of Benjamin Blake, in which he played Blake’s shipmate, who escapes with him to a tropical island full of riches.
He appeared in dozens of low-budget horror movies from the 1940s onwards, to finance a touring classical theatre company. He also played a small but important act in the very-high-budget comedy The Court Jester, which was at the time of its release the most expensive comedy movie ever made. He sang the theme song to one movie in which he appeared briefly, Red Zone Cuba. Carradine also made more than 100 acting appearances on television over a period of 39 years. His first performance on the “small screen” was on the DuMont Television Network in 1947, when he played Ebenezer Scrooge in a broadcast presentation of A Christmas Carol. His final act on television was in 1986 as Professor Alex Stottel on a revival of the classic series The Twilight Zone, in an episode segment titled “Still Life.” Some examples of other television series on which he appeared include CBS’s My Friend Flicka, Johnny Ringo (as The Rain Man), and Place the Face, NBC’s Cimarron City as the foreboding Jared Tucker in the episode “Child of Fear” and on William Bendix’s Overland Trail in the 1960 episode “The Reckoning,” on ABC’s Harrigan and Son starring Pat O’Brien in the episode “A Matter of Dignity,” Maverick in “Red Dog” starring Roger Moore and Lee Van Cleef, Sugarfoot, The Rebel, and The Legend of Jesse James, on the syndicated adventure series Rescue 8 with actor Jim Davis and in two episodes of the western TV series Bonanza (“Springtime” and “Dead Wrong”).
Carradine also made recurring appearances as the mortician, Mr. Gateman, on the television comedy series The Munsters. He appeared as well in both of Irwin Allen’s classic 1960s science-fiction television series Lost In Space and Land Of The Giants. In 1985, Carradine won a Daytime Emmy Award for his performance as an eccentric old man who lives by the railroad tracks in the Young People’s Special, Umbrella Jack.
In 1982, he supplied the voice of the Great Owl in the animated feature The Secret of NIMH. Also, he played the voice of the Wizard in the Samuel Goldwyn Co. anime English-dubbed version of Aladdin and the Magic Lamp. One of Carradine’s final movie appearances was Peggy Sue Got Married in 1986. Carradine’s last released movie credit was Bikini Drive-In, released years after his death.
Carradine’s deep, resonant voice earned him the nickname “The Voice”. He was also known as the “Bard of the Boulevard” due to his idiosyncratic habit of strolling Hollywood streets while reciting Shakespearean soliloquies, something he always denied.
Carradine was married four times. He married his first wife, Ardanelle Abigail McCool (January 25, 1911 – January 26, 1989), in 1935. She was the mother of Bruce and David. John adopted Bruce, Ardanelle’s son from a previous marriage. John had planned a large family, but according to the autobiography of his son David, after Ardanelle had had a series of miscarriages, Carradine discovered that she had had repeated “coat hanger” abortions, without his knowledge, which rendered her unable to carry a baby to full term. After only three years of marriage, Ardanelle Carradine filed for divorce, but the couple remained married for another five years.
They divorced in 1944, when David was seven years old. Carradine left California to avoid court action in the alimony settlement. After the couple engaged in a series of court battles involving child custody and alimony, which at one point landed Carradine in jail, David joined his father in New York City. By this time, his father had remarried. For the next few years, David was shuffled among boarding schools, foster homes, and reform school.
Carradine married Sonia Sorel (May 18, 1921 – September 24, 2004), who had appeared with him in Bluebeard (1944) immediately following his divorce from Ardanelle in 1945. Sonia, who had adopted the stage name of Sorel, was the daughter of San Francisco brewer, Henry Henius, granddaughter of biochemist Max Henius, and a great-niece of the historian Johan Ludvig Heiberg. Together, Carradine and Sonia had three sons, Christopher, Keith, and Robert. Their divorce in 1957 was followed by an acrimonious custody battle, which resulted in their sons being placed in a home for abused children as wards of the court. Keith Carradine said of the experience, “It was like being in jail. There were bars on the windows, and we were only allowed to see our parents through glass doors. It was very sad. We would stand there on either side of the glass door crying”.
Eventually, Carradine won custody of the children. For the next eight years, Sonia was not permitted to see the children. Robert Carradine said that he was raised primarily by his stepmother, his father’s third wife, Doris (Rich) Grimshaw, and believed her to be his mother until he was introduced to Sonia Sorel at a Christmas party when he was 14 years old. He told a journalist, “I said, ‘How do you do.’ Keith took me aside and said ‘That’s our real mother.’ I didn’t know what he was talking about. But he finally convinced me.”
When John Carradine married Doris (Erving Rich) Grimshaw in 1957, she already had a son from a previous marriage, Dale, and a son from a later relationship, Michael, both of whom, along with Sonia Sorel’s son, Michael Bowen, are sometimes counted among John Carradine’s eight sons. She was a one-time studio typist who typed the script to The Treasure of the Sierra Madre and who went on to play a few acts in movie and television. Doris died in 1971 in a fire in her apartment in Oxnard, California. The fire was caused by a burning cigarette. She had been rescued from a similar fire just two weeks earlier. At the time of her death, Carradine and she were separated. Carradine was married a fourth time, from 1975 to 1988, to Emily Cisneros, who survived him.
Retired, Carradine suffered from painful and crippling rheumatoid arthritis, before he died from heart and kidney failure at the Fatebenefratelli Hospital in Milan, Italy, on November 27, 1988. Hours before he was stricken, he had climbed the 328 steep steps of Milan’s Gothic cathedral, the Duomo. According to David Carradine, he had just finished a movie in South Africa and was about to begin a European tour. David was with him, reading Shakespeare to him, when he succumbed to his condition. By the time David and Keith Carradine had arrived at their father’s bedside, he was unable to speak. “I was told that his last words were ‘Milan: What a beautiful place to die.'” David rewhich name is, “but he never spoke to me or opened his eyes. When he died, I was holding him in my arms. I reached out and closed his eyes. It’s not as easy as it is in the movies.” There was a Requiem Mass for John Carradine at St. Thomas the Apostle Episcopal Church in Hollywood. An Irish wake followed, and his body was later buried at sea between the California coast and Catalina Island.
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