Height of Ira Glass

height Ira Glass

height: …m

The height of Ira Glass is …m.

1. Where did Ira Glass come from ?

Ira Jeffrey Glass (/ˈaÉȘrə/; born March 3, 1959) is an American public radio personality. He is the host and producer of the radio and television series This American Life and has participated in other NPR programs, including Morning Edition, All Things Considered, and Talk of the Nation. His work in radio and television has won him awards like the Edward R. Murrow Award for Outstanding Contributions to Public Radio and the George Polk Award in Radio Reporting.

2. What could we know about Ira Glass besides his height ?

Glass is originally from Baltimore, and he began working in radio as a teenager. During his summer breaks while attending Brown University, he worked alongside Keith Talbot at NPR. He worked as a story editor and interviewer for years before he began to cover his own stories in his late twenties. After he moved to Chicago, he continued to work on the public radio programs All Things Considered and The Wild Room, the latter of which he co-hosted. After Glass received a grant from the MacArthur Foundation, he and Torey Malatia developed This American Life, which won a Peabody Award within its first six months and became nationally syndicated a year later. The show was formulated into a television program of the same name on Showtime that ran for two seasons. Glass also performs a live show, and has contributed to or written articles, books, and a comic book related to the radio show.

3. What are the projects of Ira Glass ?

Glass was born in Baltimore, Maryland, on March 3, 1959, to Jewish parents Barry and Shirley Glass, and grew up with two sisters: one younger and one older. Barry started out as a radio announcer, but eventually became a CPA and businessman who founded the Glass Jacobson Financial Group, while Shirley Glass was a clinical psychologist, whose work prompted The New York Times to call her “the godmother of infidelity research”.

4. Somme collaborations with Ira Glass ?

As a child, Glass wanted to be an astronaut, while his parents hoped he would become a doctor. From a young age, he loved comedy and his family frequented the theater. By the time he was 11, he and his sister put on shows in their house’s basement and invited neighborhood children to watch. As a teen, he moonlighted as a magician.

Glass attended Milford Mill High School in Baltimore County where he held editorial acts as a member of the school’s yearbook staff and as co-editor of the student literary magazine. His involvement in yearbooks started in tenth grade and continued until his graduation in 1977. As a member of the Milford drama club, Glass was cast in several stage productions: his acts include Captain George Brackett in Milford’s 1975 production of South Pacific, Lowe in the school’s 1976 production of Damn Yankees, and Bud Frump in its 1977 production of How To Succeed in Business Without Really Trying. Glass was also a member of the International Thespian Society. Glass has remarked that his style of journalism is heavily influenced by the musicals he enjoyed when he was younger, especially Fiddler on the Roof. He was involved in student government during his junior and senior years as a member of the executive board, made Milford’s morning announcements, and was a member of the Milford Mill Honor Society in 1977. While in high school, he wrote jokes for Baltimore radio personality Johnny Walker.

After Glass graduated from high school, he was accepted into Northwestern University in Evanston, Illinois, and was initially a pre-medical student. He went to with fellow alums Mary Zimmerman and David Sedaris, though he did not know them at the time. He spent a lot of time at the University’s radio station making its promos. He transferred to Brown University, where he concentrated in semiotics. There, he was introduced to S/Z by Roland Barthes, an analysis that, in hindsight, “made understand what could do in radio”. He graduated in 1982.

After his freshman year, 19-year-old Glass looked around Baltimore for work in television, radio, and advertising without success; meanwhile, he was employed in the shock trauma unit at a medical center. After someone at the local rock station recommended that he seek out Jay Kernis at National Public Radio’s headquarters in Washington, DC, he found work as an unpaid intern editing promotional announcements before becoming the production assistant to Keith Talbot. At the end of the summer, he chose to stay with NPR and abandon medicine, a decision that disappointed his parents. When he graduated from college, they placed a sardonic ad in the classified section of their local newspaper that read, “Corporate office seeks semiotics grad for high paying position.”

Glass worked at NPR for 17 years, where he eventually graduated to being a tape-cutter before becoming a reporter and host on several NPR programs, including Morning Edition, All Things Considered, and Talk of the Nation. In an interview, Glass rewhich name is that his first show was with NPR’s Joe Frank, and says the experience influenced him in a “huge way”, adding: “Before I saw Joe put together a show, I had never thought about radio as a place where you could tell a certain kind of story.” He has also said that editing for Noah Adams, an early host of All Things Considered, taught him how “to step back from the action and move to some bigger thought and then return to the plot”, a technique that he still uses to structure This American Life. As he approached 30, he tried reporting his own stories, but said he was not good at it and that he performed poorly on air, took a long time to create a single piece, and did not have strong interviewing skills. During this time, he dated a lawyer for seven years who, according to him, made him feel terrible and did not take his work seriously or love him. He says that while she was away working in Texas, he felt his writing improved in her absence, and their relationship ended by the end of the summer.

In 1989, Glass followed his then-girlfriend, cartoonist Lynda Barry, to Chicago and settled into the Lakeview neighborhood. Although he began producing award-winning reports for NPR’s All Things Considered, specifically on school reform at Taft High School and Irving Elementary School, Glass said it was a piece he did on the 75th anniversary of Oreo cookies that taught him how to write for radio. Soon, he and Gary Covino created and co-hosted a Friday-night WBEZ Chicago Public Radio program which name is The Wild Room, which featured eclectic content with a loose style and aired for the first time in November 1990. Barry and Glass had split around this time, but she initially collaborated on the project and gave the show its title after she and Glass agreed that Covino’s suggestion (The Rainbow Room) was “stupid”. In Glass’s first professional interview (with Cara Jepsen in 1993), he said: “I like to think of it as the only show on public radio other than Car Talk that both NPR news analyst Daniel Schorr and Kurt Cobain could listen to.” During this time they spent two years reporting on the Chicago Public Schools—one year at a high school, and another at an elementary school. The largest finding of their investigations was that smaller class sizes would contribute to more success in impoverished, inner-city schools.

Glass eventually tired of “free-form radio” and, looking at other opportunities, began sending grant proposals to the Corporation for Public Broadcasting.

In 1995, the MacArthur Foundation approached Torey Malatia, the general manager of Chicago Public Radio, with an offer of US$150,000 to produce a show featuring local Chicago writers and performance artists. Malatia approached Glass with the idea, who countered that he wanted to do a weekly program, but with a different premise, a budget of US$300,000, and a desire to make it a national show. He then took two months off without pay to work on the pilot. Glass, however, didn’t include his co-host in his plans, assuring him that the deal was unlikely to happen. When the show went on without him, Covino says he felt “betrayed”. He continued to produce The Wild Room alone until February 1996.

Ira Glass in an interview with Chicago Magazine

Early on, the idea was to make a show telling stories of “nobody who’s famous, nothing you’ve ever heard of, nothing in the news”. The everyday stories would be placed between works from journalists, fiction authors, or performing artists. Glass invited David Sedaris to read his essays on the program before producing Sedaris’ commentaries on NPR and contributing to Sedaris’s success as an independent author. The show—then which name is Your Radio Playhouse—first aired on November 17, 1995; the episode was titled “New Beginnings”. It included interviews with talk-show host Joe Franklin and Shirley Glass—who maintained her position that her son should consider work in television because of his resemblance to Hugh Grant—as well as stories by Kevin Kelly (the founding editor of Wired) and performance artist Lawrence Steger. The show’s name changed to This American Life beginning with the episode on March 21, 1996, and was syndicated nationally in June 1996 by Public Radio International after NPR passed on it.

Glass devoted himself to the effort by making the daily commute from his North Side apartment and spending 70 to 80 hours per week in the offices on the Navy Pier.

The show quickly received wide acclaim and is often credited with changing the landscape of journalistic radio in the US. It won a Peabody Award within six months of its first broadcast for excellence in broadcast media. The fictional pieces were gradually replaced with more reporting in a storytelling format, such as in the show’s coverage of victims of Hurricane Katrina. Over the years, guest contributors included Dave Eggers, Sarah Vowell, Michael Chabon, Tobias Wolff, Anne Lamott and Spalding Gray. On November 17, 2005, This American Life reached its tenth anniversary and the following week, in celebration, broadcast for the first time outside of Chicago.[citation needed]

The television network Showtime approached the show’s production team and proposed to convert This American Life into a television program; the team originally refused, as they did not want to compromise the format and make something “tacky and awful”, but agreed to make the program for television after Showtime conceded to various conditions, including a format that did not resemble a news magazine. After viewing the pilot, Showtime ordered six episodes in January 2007 and the first half-hour episode aired on March 22, 2007. Glass had to move to New York for movieing, and said in an interview with Patt Morrison on Southern California Public Radio that he lost 30 pounds (14 kg) over the project. The show aired for thirteen episodes over two seasons before ending in 2009 because of the heavy workload needed to produce it.

Chicago Public Media announced it would begin self-distribution of This American Life starting on July 1, 2014, through Public Radio Exchange (PRX).

By 2020, This American Life reached more than 4.7 million listeners each week. Glass can be heard in all but four episodes.[citation needed] In July 2013, the 500th show was aired.[citation needed] For the 2013 fiscal year, the WBEZ board voted to raise Glass’s salary from $170,000 annually to $278,000. However, he requested that it be lowered to $146,000 the following year, and has since asked for it be lowered again, calling the original sum “unseemly”. He supplements his income with speaking engagements, which earn him “five figures per talk”.

In May 2009, the This American Life radio show episode “Return to the Scene of the Crime” was broadcast live to more than 300 movie theaters.

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Height Ira Glass