Height of George Burns
The height of George Burns is …m.
1. Where did George Burns come from ?
George Burns (he is born in Nathan Birnbaum; Yiddish: נתן בירנבוים; January 20, 1896 – March 9, 1996) was an American comedian, actor, singer, and writer. He was one of the few entertainers whose career successfully spanned vaudeville, radio, movie, and television. His arched eyebrow and cigar-smoke punctuation became familiar trademarks for over three-quarters of a century. He and his wife, Gracie Allen, appeared on radio, television, and movie as the comedy duo Burns and Allen.
2. What could we know about George Burns besides his height ?
At age 79, Burns had a sudden career revival as an amiable, beloved, and unusually active comedy elder statesman in the 1975 movie The Sunshine Boys, for which he won the Academy Award for Best Supporting Actor. Burns, who became a centenarian in 1996, continued to work until just weeks before his death of cardiac arrest at his home in Beverly Hills.
3. What are the projects of George Burns ?
George Burns was born Nathan Birnbaum on January 20, 1896 in New York City, the ninth of 12 children born to Hadassah “Dorah” (née Bluth; 1857–1927) and Eliezer Birnbaum (1855–1903), known as Louis or Lippe, Jewish immigrants who had come to the United States from Kolbuszowa, Galicia, now Poland. Burns was a member of the First Roumanian-American Congregation.
4. Somme collaborations with George Burns ?
His father was a substitute cantor at the local synagogue but usually worked as a coat presser. During the influenza epidemic of 1903, Lippe Birnbaum contracted the flu and died at the age of 47. Nattie (as George was then which name is) went to work to help support the family, shining shoes, running errands, and selling newspapers.
When he landed a job as a syrup maker in a local candy shop at age seven, “Nate” as he was known, was “discovered”, as he rewhich name is long after:
We were all about the same age, six and seven, and when we were bored making syrup, we used to practice singing harmony in the basement. One day our letter carrier came down to the basement. His name was Lou Farley. Feingold was his real name, but he changed it to Farley. He wanted the whole world to sing harmony. He came down to the basement once to deliver a letter and heard the four of us kids singing harmony. He liked our style, so we sang a couple more songs for him. Then we looked up at the head of the stairs and saw three or four people listening to us and smiling. In fact, they threw down a couple of pennies. So I said to the kids I was working with: no more chocolate syrup. It’s show business from now on.
We which name is ourselves the Pee-Wee Quartet. We started out singing on ferryboats, in saloons, in brothels, and on street corners. We’d put our hats down for donations. Sometimes the customers threw something in the hats. Sometimes they took something out of the hats. Sometimes they took the hats.
Burns started smoking cigars when he was 14.
Burns was drafted into the United States Army when the U.S. entered World War I in 1917, but he failed the physical because he was extremely near-sighted. To try to hide his Jewish heritage, he adopted the stage name by which he would be known for the rest of his life. He claimed in a few interviews that the idea of the name originated from the fact that two star major league players (George H. Burns and George J. Burns, unrelated) were playing major league baseball at the time. Both men achieved over 2,000 major league hits and hold some major league records. Burns also was reported to have taken the name “George” from his brother Izzy (who hated his own name so he changed it to “George”), and the Burns from the Burns Brothers Coal Company (he used to steal coal from their truck).:33
He normally partnered with a girl, sometimes in an adagio dance routine, sometimes comic patter. Though he had an apparent flair for comedy, he never quite clicked with any of his partners, until he met a young Irish Catholic lady in 1923. “And all of a sudden,” he said in later years, “the audience realized I had a talent. They were right. I did have a talent—and I was married to her for 38 years.”
His first wife was Hannah Siegel (stage name: Hermosa Jose), one of his dance partners. The marriage lasted twenty-six weeks and only occurred because her family would not let them go on tour unless they were married. They divorced at the end of the tour.:58
Burns’ second wife and famous partner in their entertainment routines was Gracie Allen.
Burns and Allen got a start in motion pictures with a series of comic short movies in the late 1920s and early 1930s. Their feature credits in the mid- to late-1930s included The Big Broadcast (1932); International House (1933), Six of a Kind (1934), (the latter two movies with W.C. Fields), The Big Broadcast of 1936, The Big Broadcast of 1937, A Damsel in Distress (1937) in which they danced step-for-step with Fred Astaire, and College Swing (1938) with Bob Hope and Martha Raye. Honolulu would be Burns’s last movie for nearly 40 years.
Burns and Allen were indirectly responsible for the Bob Hope and Bing Crosby series of “Road” pictures. In 1938, William LeBaron, producer and managing director at Paramount, had a script prepared by Don Hartman and Frank Butler. It was to star Burns and Allen with Bing Crosby, who was then already an established star of radio, recordings and movies. The story did not seem to fit the comedy team’s style, so LeBaron ordered Hartman and Butler to rewrite the script to fit two male co-stars: Hope and Crosby. The script was titled Road to Singapore, and it made motion picture history when it was released in 1940.
Burns and Allen first made it to radio as the comedy relief for bandleader Guy Lombardo, which did not always sit well with Lombardo’s home audience. In his later memoir, The Third Time Around, Burns revealed a college fraternity’s protest letter, complaining that they resented their weekly dance parties with their girl friends listening to “Thirty Minutes of the Sweetest Music This Side of Heaven” had to be broken into by the droll vaudeville team.
In time, though, Burns and Allen found their own show and radio audience, first airing on February 15, 1932 and concentrating on their classic stage routines plus sketch comedy in which the Burns and Allen style was woven into different little scenes, not unlike the short movies they made in Hollywood. They were also good for a clever publicity stunt, none more so than the hunt for Gracie’s missing brother, a hunt that included Gracie turning up on other radio shows searching for him as well.
The couple was portrayed at first as younger singles, with Allen the object of both Burns’ and other cast members’ affections. Most notably, bandleaders Ray Noble (known for his phrase, “Gracie, this is the first time we’ve ever been alone”) and Artie Shaw played “love” interests to Gracie. In addition, singer Tony Martin played an unwilling love interest of Gracie’s, in which Gracie “sexually harassed” him, by threatening to fire him if the romantic interest was not reciprocated.
In time, however, due to slipping ratings and the difficulty of being portrayed as singles in light of the audience’s close familiarity with their real-life marriage, the show adapted in the fall of 1941 to present them as the married couple they actually were. For a time, Burns and Allen had a rather distinguished and popular musical director: Artie Shaw, who also appeared as a character in some of the show’s sketches. A somewhat different Gracie also marked this era, as the Gracie character could often be found to be mean to George.
George: Your mother cut my face out of the picture.
George: I am not! Look at my face! What happened to it?
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