Height of George Brent
The height of George Brent is …m.
1. Where did George Brent come from ?
Brent was born in Main Street, Ballinasloe, County Galway, on March 15, 1904, to John J. and Mary (née McGuinness) Nolan. His father was a shopkeeper and his mother was a native of Clonfad, Moore, County Roscommon. In September 1915, he moved with his younger sister Kathleen to New York City. There, they joined their mother, who was living in the US after her separation from her husband.
2. What could we know about George Brent besides his height ?
Brent returned to Ireland in February 1921, during the Irish War of Independence (1919–1922), and was involved in the Irish Republican Army. During this period he also became involved with the Abbey Theatre.
3. What are the projects of George Brent ?
He fled Ireland with a bounty set on his head by the British government, although he later claimed only to have been a courier for guerrilla leader and tactician Michael Collins. According to Ballinasloe Life (volume 2, issue 4, Oct/Nov 2012), the Irish War of Independence careers of three different men named George Nolan (Brent and two others; one from County Dublin and the other from County Offaly) were apparently conflated, which may explain some of the discrepancies regarding Brent’s year of birth, life, and activities during the 1919 to 1922 period.
4. Somme collaborations with George Brent ?
Brent traveled from England to Canada and returned to the United States in August 1921.
He decided to become a professional actor. He made his Broadway start in director Guthrie McClintic’s The Dover Road. He did numerous plays throughout the 1920s, including running several of his own stock companies. He appeared in productions of Abie’s Irish Rose (on tour for two years), Stella Dallas, Up in Mabel’s Room, Elmer the Great, Seventh Heaven, White Cargo and Lilac Time. He acted in stock companies in Colorado, Rhode Island, Florida, and Massachusetts. In 1930, he appeared on Broadway in Love, Honor, and Betray, alongside Clark Gable.
Brent moved to Hollywood and made his first movie for 20th Century Fox, Under Suspicion (1930). He continued in support acts for Fox in Once a Sinner (1931), Fair Warning (1931), and Charlie Chan Carries On (1931).
At Universal he was seventh billed for Ex-Bad Boy (1931) and fifth for Homicide Squad (1931), then was in the Rin Tin Tin serial The Lightning Warrior (1931) at Mascot Pictures.
Brent was signed by Warner Bros. in 1931, where he played Barbara Stanwyck’s leading man in So Big! (1932). This established him as a leading man for female stars. Bette Davis had a small act.
Brent appeared in The Rich Are Always with Us (1932) with Ruth Chatterton; again, Davis had a support act.
This was followed by Week-End Marriage (1932) with Loretta Young, The Purchase Price (1932) with Stanwyck, Miss Pinkerton (1932) with Joan Blondell, The Crash (1932) with Chatterton, and They Call It Sin (1932) with Young.
Paramount borrowed Brent for the leading man act in Luxury Liner (1933). Back at Warners, Brent was one of several studio names appearing in 42nd Street (1933), he played the lover of Bebe Daniels.
He returned to supporting female stars: Kay Francis in The Keyhole (1933), Chatterton in both Lilly Turner (1933) and Female (1933), and Stanwyck in Baby Face (1933).
In October 1933, he and Chatterton refused to make a movie they had been assigned, Mandalay and were replaced by Lyle Talbot and Kay Francis. Brent’s salary was then $1,000 a week.
Brent was top billed in From Headquarters (1933) with Margaret Lindsay then MGM borrowed him to play Myrna Loy’s leading man in Stamboul Quest (1934). In September 1934, Chatteron filed for divorce.
Brent was top billed in Housewife (1934) with Bette Davis, who was his co star. He was leading man to Jean Muir in Desirable (1935) then MGM used him for The Painted Veil (1934) with Greta Garbo.
Brent supported Josephine Hutchinson in The Right to Live (1935), Francis in Living on Velvet (1935) and Stranded (1935). He then made two movies with Davis, where she was top billed: Front Page Woman (1935) and Special Agent (1935).
Brent appeared in The Goose and the Gander (1935) with Francis, then was borrowed by RKO to make In Person (1935) with Ginger Rogers. At Warners he was top billed in the comedy Snowed Under (1936), then Walter Wanger borrowed him to play Madeleine Carroll’s leading man in The Case Against Mrs. Ames (1936).
At Warners he was reunited with Davis in The Golden Arrow (1936) and Francis in Give Me Your Heart (1936). Columbia borrowed him to support Jean Arthur in More Than a Secretary (1936) then Warners gave him top billing in God’s Country and the Woman (1936) with Margaret Lindsay.
Brent made Mountain Justice (1937) with Hutchinson and The Go Getter (1937) with Anita Louise. Warners then put Brent in his first male-orientated movie: Submarine D-1 (1937) with Pat O’Brien and Wayne Morris. In November 1937 he became an American citizen.
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