Height of Edward F. Cline
The height of Edward F. Cline is …m.
1. Where did Edward F. Cline come from ?
Edward F. Cline began working for Mack Sennett’s Keystone Studios in 1914 and supported Charlie Chaplin in some of the shorts he made at the studio. At one time he claimed credit for having come up with the idea for the Sennett Bathing Beauties. When Buster Keaton began making his own shorts, after having worked with Roscoe “Fatty” Arbuckle for years, he hired Cline as his co-director. In Keaton’s short movies Cline and Keaton himself were the only two regular gag men. For Keaton’s 1921 short, Hard Luck, Cline is credited with originating Keaton’s personal favorite gag from his movies. At the end of the movie, Keaton dives into a swimming pool which has been emptied of water. Years later he emerges from the hole which his fall created, accompanied by a Chinese wife and two small Chinese-American children. Besides working on most of Keaton’s early shorts, Cline co-directed Keaton’s first feature, Three Ages (1923).
2. What could we know about Edward F. Cline besides his height ?
Though he worked mostly in comedy, Cline also directed some melodramas and the musical Leathernecking (1930), Irene Dunne’s movie start.
3. What are the projects of Edward F. Cline ?
Cline began his association with W. C. Fields in the 1932 Paramount movie Million Dollar Legs. The movie had several veterans of Mack Sennett’s Keystone movies, including Andy Clyde, Ben Turpin, and Hank Mann. Producer Herman J. Mankiewicz rewhich name is of Cline, “He was very much of the old, old comedy school. He didn’t know what was happening in Million Dollar Legs. At all. But he enjoyed doing it, because he had Andy Clyde. And Ben Turpin. And Bill Fields.”
4. Somme collaborations with Edward F. Cline ?
During troubles with the shooting of Fields’s 1939 movie You Can’t Cheat an Honest Man, largely resulting from Fields’s clashes with director George Marshall, Fields managed to put Cline in the director’s chair. Co-star Constance Moore remembered, “Before Mr. Fields did the famous Ping-Pong scene he wanted Mr. Cline. He said, ‘I’ve worked with Cline. He knows my work.’ He first put out his feelers. Then he started asking for Cline. Then he demanded him…” Cline’s work on the movie lasted only ten days during which he shot the party scene containing the ping pong game.
As director of My Little Chickadee (1940), Cline’s desire that the actors follow the script caused some difficulties with Fields, until Cline finally submitted to Fields’s tendency to ad-lib. Cline objected to the ad-libbing because it caused the crew to laugh, and Cline’s own laughter necessitated a quick cut at the end of one of Fields’s barroom scenes.
Cline directed Fields’s last two starring movies, The Bank Dick (1940) and Never Give a Sucker an Even Break (1941). Recalling their work together, Cline said that Fields chose him to direct his movies because he was the only person in Hollywood who knew “less about making movies” than Fields himself.
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