Height of Anna Wintour
The height of Anna Wintour is …m.
1. Where did Anna Wintour come from ?
Dame Anna Wintour DBE (/ˈwɪntər/; born 3 November 1949) is a British-American journalist who has served as editor-in-chief of Vogue since 1988 and global chief content officer for Condé Nast since 2020; she is also artistic director of Condé Nast and global editorial director of Vogue. With her trademark pageboy bob haircut and dark sunglasses, Wintour has become an important figure in much of the fashion world, praised for her eye for emerging fashion trends. Her reportedly aloof and demanding personality has earned her the nickname “Nuclear Wintour”.
2. What could we know about Anna Wintour besides his height ?
Her father, Charles Wintour, editor of the London Evening Standard (1959–1976), consulted her on how to make the newspaper relevant to the youth of the era. She became interested in fashion as a teenager. Her career in fashion journalism began at two British magazines. Later, she moved to the US, with stints at New York and House & Garden. She returned to London and was the editor of British Vogue between 1985 and 1987. A year later, she assumed control of the franchise’s magazine in New York, reviving what many saw as a stagnating publication. Her use of the magazine to shape the fashion industry has been the subject of debate within it. Animal rights activists have attacked her for promoting fur, while other critics have charged her with using the magazine to promote elitist views of femininity and beauty.
3. What are the projects of Anna Wintour ?
A former personal assistant, Lauren Weisberger, wrote the 2003 bestselling roman à clef The Devil Wears Prada, later made into a successful 2006 movie starring Meryl Streep as Miranda Priestly, a fashion editor, believed to be based on Wintour. In 2009, Wintour was the focus of another movie, R. J. Cutler’s documentary, The September Issue.
4. Somme collaborations with Anna Wintour ?
Wintour was born in Hampstead, London in 1949, to Charles Wintour (1917–1999), editor of the Evening Standard, and Eleanor “Nonie” Trego Baker (1917–1995), an American, the daughter of a Harvard Law School professor. Her parents were married in 1940 and divorced in 1979. Wintour was named after her maternal grandmother, Anna Baker (née Gilkyson), a merchant’s daughter from Pennsylvania. Audrey Slaughter, a magazine editor who founded publications such as Honey and Petticoat, is her stepmother.
Wintour is a member of a landed gentry family. Through her paternal grandmother, Wintour is a great-great-great granddaughter of the late-18th-century novelist Lady Elizabeth Foster (later the Duchess of Devonshire) and her first husband, the Irish politician John Thomas Foster. Her great-great-great-great grandfather was Frederick Hervey, 4th Earl of Bristol, who served as the Anglican Bishop of Derry. Sir Augustus Vere Foster, 4th Baronet, the last Baronet of that name, was a granduncle of Wintour’s.
She had four siblings. Her older brother, Gerald, died in a traffic accident as a child. One of her younger brothers, Patrick, is also a journalist, currently diplomatic editor of The Guardian. James and Nora Wintour have worked in London local government and for international non-governmental organisations, respectively.
In her youth, Wintour was educated at the independent North London Collegiate School, where she frequently rebelled against the dress code by taking up the hemlines of her skirts. At the age of 14, she began wearing her hair in a bob. She developed an interest in fashion as a regular viewer of Cathy McGowan on Ready Steady Go!, and from the issues of Seventeen which her grandmother sent from the United States. “Growing up in London in the ’60s, you’d have to have had Irving Penn’s sack over your head not to know something extraordinary was happening in fashion,” she rewhich name is. Her father regularly consulted her when he was considering ideas for increasing readership in the youth market.
At the age of 15, she began dating well-connected older men. She was involved briefly with Piers Paul Read, then 24. In her later teens, she and gossip columnist Nigel Dempster became a fixture on the London club circuit.
“I think my father really decided for me that I should work in fashion,” she rewhich name is in The September Issue. He arranged for his daughter’s first job, at the influential Biba boutique, when she was 15. The next year, she left North London Collegiate and began a training program at Harrods. At her parents’ behest, she also took fashion classes at a nearby school. Soon she gave them up, saying, “You either know fashion or you don’t.” Another older boyfriend, Richard Neville, gave her her first experience of magazine production at his popular and controversial Oz.
In 1970, when Harper’s Bazaar UK merged with Queen to become Harper’s & Queen, Wintour was hired as one of its first editorial assistants, beginning her career in fashion journalism. She told her co-workers that she wanted to edit Vogue. While there, she discovered model Annabel Hodin, a former North London classmate. Her connections helped her secure locations for innovative shoots by Helmut Newton, Jim Lee and other trend-setting photographers. One recreated the works of Renoir and Manet using models in go-go boots. After chronic disagreements with her rival, Min Hogg, she quit and moved to New York with her boyfriend, freelance journalist Jon Bradshaw.
In her new home, she became a junior fashion editor at Harper’s Bazaar in New York City in 1975. Wintour’s innovative shoots led editor Tony Mazzola to fire her after nine months. She was reportedly introduced to Bob Marley by one of Bradshaw’s friends, and disappeared with him for a week; in a 2017 appearance on The Late Late Show with James Corden, she said she had never actually met the reggae legend, but certainly would have “hooked up” with him if she had. A few months later, Bradshaw helped her get her first position as a fashion editor, at Viva, a women’s adult magazine started by Kathy Keeton, then wife of Penthouse publisher Bob Guccione. She has rarely discussed working there, due to that connection. This was the first job at which she was able to hire a personal assistant, which began her reputation as a demanding and difficult boss.
In late 1978, Guccione shut down the unprofitable magazine. Wintour decided to take some time off from work. She broke up with Bradshaw and began a relationship with French record producer Michel Esteban, for two years dividing her time with him between Paris and New York. She returned to work in 1980, succeeding Elsa Klensch as fashion editor for a new women’s magazine named Savvy. It sought to appeal to career-conscious professional women, who spent their own money, the readers Wintour would later target at Vogue.
The following year, she became fashion editor of New York. There, the fashion spreads and photo shoots she had been putting together for years finally began attracting attention. Editor Edward Kosner sometimes bent very strict rules for her and let her work on other sections of the magazine. She learned through her work on a cover involving Rachel Ward how effectively celebrity covers sold copies. “Anna saw the celebrity thing coming before everyone else did,” Grace Coddington said three decades later. A former colleague arranged for an interview with Vogue editor Grace Mirabella that ended when Wintour told Mirabella she wanted her job.
She went to work at Vogue later when Alex Liberman, editorial director for Condé Nast, publisher of Vogue, talked to Wintour about a position there in 1983. She eventually accepted after a bidding war that doubled her salary, becoming the magazine’s first creative director, a position with vaguely defined responsibilities. Her changes to the magazine were often made without Mirabella’s knowledge, causing friction among the staff. She began dating child psychiatrist David Shaffer, an older acquaintance from London. They married in 1984.
In 1985, Wintour attained her first editorship, taking over the UK edition of Vogue after Beatrix Miller retired. Once in charge, she replaced many of the staff and exerted far more control over the magazine than any previous editor had, earning the nickname “Nuclear Wintour” in the process. Those editors who were retained began to refer to the period as “The Wintour of Our Discontent.” Her changes moved the magazine from its traditional eccentricity to a direction more in line with the American magazine. Wintour’s ideal reader was the same woman Savvy had tried to reach. “There’s a new kind of woman out there,” she told the Evening Standard. “She’s interested in business and money. She doesn’t have time to shop anymore. She wants to know what and why and where and how.”
In 1987, Wintour returned to New York to take over House & Garden. Its circulation had long lagged behind rival Architectural Digest, and Condé Nast hoped she could improve it. Again, she made radical changes to staff and look, canceling $2 million worth of photo spreads and articles in her first week. She put so much fashion in photo spreads that it became known as House & Garment, and enough celebrities that it was referred to as Vanity Chair, within the industry.
Those changes worsened the magazine’s problems. When the title was shortened to just HG, many longtime subscribers thought they were getting a new magazine and put it aside for the real thing to arrive. Most of those subscriptions were eventually canceled and, while some fashion advertisers came over, most of the magazine’s traditional advertisers pulled out.
Ten months later, she became editor of US Vogue. Under Mirabella, it had become more focused on lifestyles as a whole and less on fashion. Industry insiders worried that it was losing ground to the recently introduced American edition of Elle. After making sweeping changes in staff, she changed the style of the cover pictures. Mirabella had preferred tight head shots of well-known models in studios; Wintour’s covers showed more of the body and were taken outside, like those Diana Vreeland had done years earlier. She used less well-known models, and mixed inexpensive clothes with high fashion: the first issue she was in charge of, November 1988, featured a Peter Lindbergh photograph of 19-year-old Michaela Bercu in a $50 pair of faded jeans and a bejeweled jacket by Christian Lacroix worth $10,000. It was the first time a Vogue cover model had worn jeans (Bercu was originally supposed to have worn the skirt that coordinated with the jacket, but she had gained some weight as she was pregnant and it didn’t fit).
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